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dc.contributor.authorPerreault, Carrie
dc.date.accessioned2021-08-04 16:37:04 (GMT)
dc.date.available2021-08-04 16:37:04 (GMT)
dc.date.issued2021-08-04
dc.date.submitted2021-07-14
dc.identifier.urihttp://hdl.handle.net/10012/17182
dc.description.abstractSurveying my through a feminist approach to autotheory, Pacing the House is an exhibition that uses material inquiry to reframe personal trauma into a site of investigation. By creating systems of organization—categorizing, formatting, grouping—I work against dissociation to create meaningful connections in the physical world and use this process-based method as a form of knowledge gathering. By temporarily suspending external and dominant narratives that have upheld the stories I have repeatedly told myself, I recover and articulate my personal experiences through the creation of objects, installations and drawings that reflect these conceptual intensions. In my research, I seek ways to dismantle gendered and psychological abuse and to formulate those results in an experiential language while referencing residential architecture and childhood memories.en
dc.language.isoenen
dc.publisherUniversity of Waterlooen
dc.subjectsculptureen
dc.subjectauto theoryen
dc.subjecttraumaen
dc.subjectCPTSDen
dc.subjectdrawingen
dc.subjectvisual arten
dc.subjectfine arten
dc.subjectinstallationen
dc.subjectpersonal narrativeen
dc.titlePacing the Houseen
dc.typeMaster Thesisen
dc.pendingfalse
uws-etd.degree.departmentFine Artsen
uws-etd.degree.disciplineFine Arts (Studio Art)en
uws-etd.degree.grantorUniversity of Waterlooen
uws-etd.degreeMaster of Fine Artsen
uws-etd.embargo.terms0en
uws.contributor.advisorAndison, Lois
uws.contributor.advisorKirton, Doug
uws.contributor.affiliation1Faculty of Artsen
uws.published.cityWaterlooen
uws.published.countryCanadaen
uws.published.provinceOntarioen
uws.typeOfResourceTexten
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen


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