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dc.contributor.authorHunter, Natalie
dc.date.accessioned2013-04-30 18:54:15 (GMT)
dc.date.available2013-04-30 18:54:15 (GMT)
dc.date.issued2013-04-30T18:54:15Z
dc.date.submitted2013
dc.identifier.urihttp://hdl.handle.net/10012/7494
dc.description.abstractPassing Through, an installation of photography, encourages the nature of memory through an engagement with the materiality of photographic images. Considering memory as an ephemeral phenomenon, I am interested in exploring the emotional and psychological affects that images have on the body and mind. Strategies of collecting and tracing are employed as a means of forming connections between people, places, materials, objects, and images. Recounting personal history, storytelling and participating in the immediate present, I actively seek out images as a means for re-experiencing memory. Triggers reveal themselves during the collection and deconstruction of both personal and found photographic material. Re-assembling this information produces an archive consisting of real and re-imagined fragments of spaces and narratives. Together, these processes produce a body of work that considers the image as an experiential entity that is inherently memory based; triggering memory to create an emotive response in the viewer.en
dc.language.isoenen
dc.publisherUniversity of Waterlooen
dc.subjectInstallationen
dc.subjectPhotographyen
dc.titlePassing Through: An Installation of Photographyen
dc.typeMaster Thesisen
dc.pendingfalseen
dc.subject.programStudio Arten
uws-etd.degree.departmentFine Artsen
uws-etd.degreeMaster of Fine Artsen
uws.typeOfResourceTexten
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen


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